september 17 - october 24, 2025
photon gallery, ljubljana, slovenia
This exhibition blends archive and sketch, the past and what’s still to come. Working as a collective gives us the space to slow down - to explore, to look together, and to decide what matters and how we show it. Curated by Špela Pipan.
morejune 13 - 18, 2025
manifesto gallery, sarajevo, bosnia and herzegovina
Not Many Things Disgust Me A Lot of Things Make Me Sad is the second exhibition by Belgrade Raw in close collaboration with multimedia artist Jelena Nikolić. The exhibition was part of the Sarajevo Photography Festival and reflects on observation, interpretation, and the role of the viewer in shaping meaning.
morejanuary 21 - february 13, 2025
fotoklub split, split, croatia
The exhibition is realized in collaboration with multimedia artist Jelena Nikolić, whose textual notes accompany the exhibition setup. One of these notes became the title of the exhibition – "Freedom is Complicated." Curated by Ana Žanko.
morenovember 29, 2024
prostor, novi sad, serbia
2 Days 3 Nights is a popup exhibition by the Belgrade Raw collective that explores public space through the concept of the vanishing city. Through a series of works, using photographs as objects, Belgrade Raw examines the fundamental transformations and instability of urban environments. Also, this event marked 15 years of the collective's existence and work.
moremay 10 - june 15, 2024
sarah kravitz gallery, soho, london, uk
The first solo exhibition of image-based work by Serbian collective Belgrade Raw (est. 2009) in the UK, programmed to coincide with Photo London 2024. In its intention to convey ubiquity, simultaneity and synesthesia, Approximations activates photography through what the collective refer to as a'visual cacophony': an immersive event of image-encounters. Curated by Elaine ML Tam, presented by Sarah Kravitz.
moredecember 8, 2023 - march 17, 2024
937 gallery + downtown alley, pittsburgh, usa
The Wind Got Up in the Night and Took Our Plans Away is an overview of contemporary photography from Serbia, highlighting its diverse artistic approaches, collective memory of the former country and perspectives on life today. Curated by Miroslav Karić and Slađana Petrović Varagić, organized by Rachel Klipa, and presented by the Pittsburgh Cultural Trust.
moreseptember 18 - 30, 2023
kulturni centar trebinje, trebinje, bosnia and herzegovina
The exhibition presented in the Cultural center of Trebinje is a unison stream of thoughts recorded by the members of the collective through a series of fragments of Belgrade. Using different principles of presenting visual narratives, the collective goes deeper into the meaning of presenting the image as such and raises the question "what are the ways of perceiving visual storytelling?".
morenovember 19 - 26, 2022
wienstation, vienna, austria
With this exhibition in Vienna, the collective presented itself with a new principle of combining photographs. The image as a flow, a flow as a story, a story as an entity adapted to the space where it is exposed.
morejanuary 28 - march 4, 2021
artget gallery / culture center of belgrade, serbia
The specialized Artget Photo Gallery of the Cultural Centre of Belgrade begins its 20th season. In the jubilee year, the programme consists of one exhibition conceived and realized by art directors in the previous decade of the Gallery. The first in this series is the exhibition Raw Perspectives, organized by the now eleven-member photography collective Belgrade Raw, the collective artistic director(ate) of the Gallery in 2013.
moreoctober 26th, 2019
kvaka 22, belgrade, serbia
In October 2019, Belgrade Raw celebrated its 10th anniversary with a two-day exhibition at Kvaka 22.
morejune 10 – 21, 2016
savremena galerija požega, serbia
The exhibition consists of photographs that are a cross-section of the state. In this context, photos are "counted", "classified", "arranged"... in order to find room for new ones.
morejune 10 – 21, 2016
u10 art space, belgrade, serbia
The exhibition live.belgraderaw with documenting, observing and the methods of presenting the perception of a city, but not exclusively through the photography of the Belgrade Raw collective. At this moment, photography and the image itself are becoming a universal communication tool out of the reason of their easy and fast creation and sharing possibilities. All this content is, in a way, processed through a camera, video or photographic, and most commonly the mobile phone camera. What we wanted to do is investigate the diversity of these technical possibilities.
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